Well, Well, What can I (not) say about this hottest and latest reality show that the mobile service provider Airtel has tied up with Tamil channel Star-Vijay to co-brand and promote, for the hunt of TN’s sweet little golden voice?
This vocal talent search was exclusively for kids of age group falling between 6-14years. This reality show indeed created a huge wave of response among everyone starting from the youngest one to the eldest one of the family, keeping them engrossed and gripped in keeping track of the show without fail every Friday/Saturday 8pm on Vijay TV and (unbelievably) not to miss the repeat telecast as well, on all Sundays between 3pm-4pm. Besides that, this kid’s reality music show has gained momentum among all the music lovers of Chennai and the entire Tamil Nadu too.
Undoubtedly this reality show has kept the audiences in tune; with the little ones rendering their best in their sweet intoxicating voices every time they are up on that little podium in front of the judges. Wow… really adoring those little ones are… Each and every one of them!
It’s a dream for every little soul out there to become the “Chosen One”. But alas, the big fat bag with 5 Lakhs prize money and the fame-game is all waiting up there to be owned by one among these 45 bright kids from all parts of Tamil Nadu, especially from Chennai, Coimbatore and Salem.
Auditions began… these exuberant kids were brought under the conditions of performing live with no orchestra to support the musical notes emanating out of their vocal chords with pressure, mounting tension, stage fear, nervousness and anxiety in front of the most renowned singers, both classical and playback of Tamil Nadu.
Distinct stood the-one-in-a-million voices of bright kids like Balasarangan, Dhanyashree, Vidhyalakshmi, Srinidhi, Krishnamoorthy, Vignesh, Roshan and few other kids whose names I wouldn’t recollect at the moment.
With each growing week, levels increased and the 45 children were growing lesser and lesser in number, who had given their best and made it to the next level of screening. The spot selections were almost unbiased although I wouldn’t say a 100% so.
Things were definitely on neutral terms until quarter finals. But from there on started the most awaited, anticipated and absolutely clichéd favoritism, and preferential treatment of the kids in being rated for their renditions.
With the extraordinary performances that which still have the power to linger in our ears, one still wonders why was “Balasarangan” eliminated and pushed into a fluke-based round such as “Wild Card Round” without being given a ticket to the semi-finals, when there are kids like Roshan who still needed to have had a significant re-consideration in being selected for competing to get into the semi-finals.
Not that Roshan is bad, but definitely Roshan is one of the very youngest one of the lot and has a lot more scope for improvement and time (which is more important for a Junior singer!) as apposed to the other contestants. So, he could always have made his way through even after a year or so later, which wouldn’t have hurt, but definitely such is not the case with certain other kids who were already bordering on the lines of turning 14 and whose voices were undergoing the adolescent changes, for example Saicharan.
But even though Saicharan exhibited the best tempo and rhythm, his voice wasn’t an apt one for a Junior Super Singer. His was an almost matured voice, which touched melody with that rare style and induced that soft feel of euphony leaving no room for the listeners to expect any jarry-western or indi-pop or loud folk or other type of songs to be rendered from a voice like that of his. Not his mistake at all. But this kid is really good at music- that’s for sure!
Now, there’s this increased rage and angst against two sad facts:
1. Balasarangan’s elimination in the wild-card-round.
2. Abarna’s selection for the finals-round.
Why was Abarna selected of all the people… especially when the amazing ones like Srinidhi were lost in the crowd way back in the initial levels of screening itself?
Something that really needs an agreeably valid and acceptably sensible explanation would be; even in the 6 contestants that fought for one position to squirm their way into the finals:
1. Where did Dhanyashree’s beautiful voice disappear?
2. What happened to Balasarangan?
3. Why was Vidhyalakshmi not selected?
Was Dhanyashree not good enough in her rendition with Srinivas?
Was it Vidhyalakshmi’s mistake that, the song Anuradha Sriram chose happened to be a dominating one with Anu singing most of it, leaving little choice for Vidhyalakshmi to prove herself?
Was it Balasarangan’s fault that his duet with Anuradha didn’t click that well?
Undeniably, Dhanyashree sounded far better than what Abarna had to do in the wildcard round and in the other initial rounds as well.
Although there are a lot of allegations raised with the selection of Saircharan for the finals by the Judges Usha and Chitra, its far too realistic to believe that Unni had to end-up selecting Abarna of all six highly qualified contestants of the wild-card round.
Why only three judges for the final round is another impending question that’s been itching my mind for long. And why are all of them females is another… but then let’s not get into feministic or male-chauvinistic mode now.
Why SPB or Yesudas was not part of the finals jury board?
Most importantly, what happened to Chitra who was all along there with all the other prior levels?
With these and many more to add, there were clear-cut cases like; Saicharan’s score board was constantly ensured to be kept atop the other contestants although his performances failed him sometimes.
With glitches like Abarna’s threshold to the Finals, Balasarangan/Srinidhi’s elimination, Airtel Super Singer Junior did make a mark among all the viewers of Vijay TV in the hunt for the golden, sweet little voice of Tamil Nadu.
Balasarangan’s “Chinna Kannan Azhaikiran” and “Malarndum Malaradha” were a sweet treat to the listeners.
“Kaatrinilae Varum Geetham” by Srinidhi was one more beautiful and perfectly sculpted rendition.
Last, but definitely not the least to talk about the two best finalists, Krishnamoorthy and Vignesh; its bliss to hear these two kids that have been bestowed upon with one of the mellifluous and honey-filled voices that god can favor to gift the human kind.
More so for Krishnamoorthy as he stands out with his ever-lasting ease at rendering almost anything and everything with a cute little smile.The technical finesse in the voice of Krishnamoorthy which was presented amicably in each of his renditions made him the super-star kid of this whole Musical-Extravaganza. Especially his “Sangeetha Jadhi Mullai” is an amazing effort that would be spoken big for years to come!
Krishnamoorthy was unstoppable with his near perfect renditions every-time and through-out and most noticeably his down-to-earth attitude, coated with a warm smile and his humble nature bequeathing, when he endearingly said “Yenna Nalla padu-nu sollamattiya da?” – To Saicharan, where in Sai wished Vignesh “Good-Luck and asked him to give a tough competition to Krishna”, in the finals; when Krishnamoorthy and Vignesh were to fight against each other.
Vignesh was rhetoric; he had a best-fit carnatic voice that was a pure enchantment to the crowd during his renditions like “Vandhal Mahalakshmi” and “Marudha Malai Maamaniye”. It was a glory to all those ears that listened to these two songs, by Vignesh – truly a splendid effort by the kid!
Both these kids are extremely good, but definitely my vote goes for Krishnamoorthy as he has proven to be flawless and unblemished in all of his renditions.